The new extension of the Chris-sis series aims to expose camouflaged colonial teachings in Ghanian textiles and fashions through experimental textile production in collaboration with local textile-making communities. Inspired by archival photos, African portrait fabric with great signifying power will be contextualised and used, for example, in urban interventions.
Samuel Baah Kortey (b. 1994) is an artist based in Germany and Ghana.
Manifested Dreams — Camp of the Exploited
Transterritorios: Laboratorio nómade de prácticas radiofónicas
Kwibuka, or How We Remember the Ending of Time
Bar Talks: An Online Queer Talk Show
Freedom Trap
Mental State of Time: Mobile Self-empowerment Workshops and Poster Action
The Kiewa River Sound Map
Body in Transit
From Underground to the Ground: Voices of Miners
Photo Archive of Korean Shrines and Shamans
Lengger-Gallogallina: A Transoceanic, Anticolonial Ritual for Ancestral Corpodivinities
Dances and Songs of the Forest – Field Research on Forest Knowledge –
Wandering Eye
Technostalgia Series
Scores for Attunement
-av(a) -ev(a) -in(a)
Xiuhamatilizmatl: A Malacachtepec Momozco/Milpa Alta Herbarium
If Only
Doubt, Ufos and unpopular Archives
Museo Afroviviente
Ganga
Ain't No Party Here
The School of Lost Knowledges
How to Turn a Body Inside Out
Face of the Motherland
Quem deu nome à Terra
War and Peace
Memoria Máquina
We Hid Everything Important
Via Verso
Beyond Wishful Thinking
Deterioration of Memory
My House Is a Magic Tree
Ost-östlicher Divan: Divarha/Duvarlar
The Library of Black Levity
Gèlèdé
Chris-sis: Inaccessible Files 00BC-Forever II
Holding Rivers, Becoming Mountains
Eure Wege im Unland
Institute for Post-Nationalist Technological Consciousness
I Don’t Want to Be Just a Memory
too cool to burn
Chattering of Teeth
The Singing Telegraph
Orikis
The Non-Aligned Zagreb
As Loud as Daylight
Vestige
From Body to Body
Monuments rapatriables, monuments rapatriés
We Have Always Lived in the End Times
